An Argument for the Authenticity of Anne’s May 6th Letter to Henry

As I now can return to “The Tudors,” I find Susan’s post about this possible letter of Anne’s very fitting. Enjoy!

The Creation of Anne Boleyn

593247a6507a28554f3e1acbebff9b72 From the time she was taken to the Tower, Anne’s moods, according to Constable Kingston, vacillated wildly, from resignation to hope to anxiety. She had always had a wicked sense of humor, and no irony was ever lost on her. When taken to the Tower, she had asked, “Master Kingston, shall I die without justice?” He replied, “The poorest subject the king hath, had justice.” Hearing this, despite her fear, Anne laughed. She was too sophisticated and savvy about the dispensing of royal power to swallow the official PR.  Even the night before her execution, her sense of irony held as she wryly remarked that her enemies would remember her as “la Royne Anne Sans Tete” But until very near the end, she also seized on any glimmer of hope. She was the queen, after all, and no one in England had ever executed a queen.  Isabella of Angouleme and…

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Game of Thrones and English History

To mark the occasion of the season 4 premier of HBO’s Game of Thrones, I have decided to write down some of the general comparisons of the plot with English medieval society and history.

Game of Thrones is an awesome television show, based off of books written by George R. R. Martin, which my husband tells me are awesome (he has read them multiple times; I have not). The characters stir up emotion in the audience. You cry for the characters you like when they are killed and hate the evil characters with a fiery passion. With dragons, magic and living dead people the show is soundly in the realm of fantasy fiction. But there are hints of actual history alive in the show.

When the show opens, the first things we are treated to is the map of Westeros, a fictional country bordered on three sides with ocean and to the north with ice. The map itself is very similar to the map of the English Isle, if you remove the North, though Westeros seems to be much, much bigger. The Wall, where the men of the Night’s Watch protect the south from enemies coming down from the north, is similar to the boarder with Scotland, where for several hundred years skirmishes and battles broke out to keep the Scots from invading England, and vice-a-versa. London is located where King’s Landing is. The Isle of Mann is located where the Iron Islands are. Even the English Channel is similar to “The Narrow Sea,” and the cities where Daenerys Targaryen travels remind me of the different duchy’s of France, though the culture and language are more like the Middle East.

In Westeros each noble house is easily identified by their “sigil,” a badge worn on clothes or held as banners, which makes all the “bannermen” easily identifiable. They are easy to compare with both coats of arms and medieval banners. Even the sigil animals are similar to those used in Britain. England is a Lion, since the first Plantagenet king Henry II, while Scotland is a unicorn and Wales is Dragon. Edward IV used a sun, Richard III used a boar, Richard II was a stag. Stags, wolves, dragons, lions, and more animals are seen in Westeros. The “bannermen” are the lords who are sworn to uphold another lord’s cause in times of war, which is exactly what English nobles were expected to do throughout the medieval period.

While watching the show it is easy to see how the armor and fashion which are taking their cues from medieval England, as is the food, boats and litter carriages. The only character which wears clothing in a more modern style is Margaery Tyrell, as it is way too revealing and even Cersei Lannister complains about it showing too much skin. The citizens of Westeros have the same entertainments and work as medieval society, such as needlepoint, music and tournaments. They engage in warfare that is exactly like what was around during the medieval period, except without the “wild fire” that killed so many at the “Battle of the Blackwater.”

Most characters have a version of the English accent, some with an Irish or Scottish twang to it, and in the case of the beautiful, red-headed Wildling soldier Ygritte, my husband just informed me that my guess that she was using a Yorkshire accent was correct. Listening to the actual accents of the actors in interviews is enlightening, especially in regards to Nikolaj Coster-Waldau who plays Jaime Lannister, because even though you hear no hint of it when he is acting, he is actually Dutch and talks with a strong Dutch accent when he is being himself. There are other accents of course, such as the German accent of Shay, Sansa Stark’s maid and Tyrion Lannister’s lover, as she is an immigrant to Westeros. Much like London, the highest variety of accents is in King’s Landing, because it’s a bastion of trade, immigration and class distinctions.

King Robert’s Rebellion mirrors the rebellion of Henry IV against Richard II, and the current warfare Westeros is going through is very similar to the Wars of the Roses. While Henry VI was not as unpopular, distanced and hated by the people as Joffrey, Rob Stark, the “King of the North,” is very similar to Edward IV, a younger man fighting because his father was killed (though in battle, not execution) and he believes he is the rightful king. Balon Greyjoy had called himself the “king of the Iron Islands,” and prior to 1485 the Stanley family had been the Kings of the Isle of Mann, with Thomas Stanley downgrading the honor to “Lord of Mann” so as not to offend his stepson, King Henry VII. In England there were fewer sides, but there were many battles and the interchanging of nobles, titles and the throne.

I am not sure how much of these similarities are intentional, but the more I start to ponder the more I find. Have you seen any that I have missed in this post? Please leave a comment and let me know!

If you haven’t seen Game of Thrones yet I urge you to give it a try. There is a reason it is so wildly popular, even though it’s a costumed drama that has no problem killing off its main characters and is heavy in both violence and sex. That’s because the plots, the characters, the sets, the special effects, the romance and the drama are unmatched. It airs on Sunday nights at 9pm EST, on HBO. If you can, watch it in HD because the costumes, sets and and visual textures can be missed in standard definition.

The show is based on a series of books, collectively known as “A Song of Ice and Fire,” written by George R. R. Martin. Five are currently available in bookstores, A Game of Thrones, A Clash of Kings, A Storm of Swords, A Feast for Crows, and A Dance for Dragons. There are two more novels to still be written and released. The show is currently midway through the third book. We should be seeing several more seasons before we learn who will finally sit on the Iron Throne.

You can purchase the books on Amazon.

For more information, please check out A Wiki of Ice and Fire.

 

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Modern Politicians can Learn from Henry VII

This post is different than my normal posts, because I am going to talk about politics a bit. It is hard to watch what is happening in the American government and not think about how far from the law we are, and how much more freedom the English people had under a king than we Americans do now.

In the minds of most Americans the British monarchy is synonymous with King George III. We hear the title “king” and our gut reacts like George Washington’s- “It will be Mr. President.” We think our government of “for the people, by the people,” this quasi-democracy, is the best it can ever get. And why not? A little less than half of the population gets their way and we’re supposed to all be happy.

The modern politician is an amalgamation of a fast-talking snake oil salesmen and a mini-tyrant. We’ve heard Former-Mayor Bloomberg telling us that he knows what we should eat and drink and will force us to comply. We’ve heard President Obama brag about being able to write laws unilaterally because he has “a phone and a pen.” This is all acceptable to them because under their logic the people voted for them, so any action they undertake is what the people want, or at least what they signed on for, by electing that politician. And, the logic follows, if we don’t like the policies or laws that one administration creates, once their term is up we can get in a new person to undo the damage. Let’s be clear: The damage is never undone and with each consecutive bad politician the policies get worse and the law oversteps into individual rights.

The US Constitution was based on a mix of the Magna Carta and the ideas of liberty that came from the Enlightenment. A major grievance of the colonies was that parliament and the king were ignoring the rules of law set forth in the Magna Carta, saying that it only gave protections to the people who lived in the British Isle, not to the citizens in the colonies. When the war was won and the US had to make its own laws, they took a great deal of direction from the Magna Carta itself. It was there that limits on taxation were first penned. It was there that personal protection from the government originated. It was there that due process under the law became standard. This comes back to the difference between a Limited Monarchy verses an Absolute Monarchy and how that difference effects the lives of the citizens of a country. France was an Absolute Monarchy and its people starved. England was a Limited Monarchy and its people thrived and grew wealthy. The Magna Carta, and the Constitution, both limited the powers and rights of the government, not of the people. A king is the personal embodiment of a government, and though not elected still has to keep the needs of the people in his focus or lose their support.

My plea for politicians to act more like Henry VII.

No, Henry was not a greedy miser who taxed the common people nearly to death. It was not possible for a king to enact taxes that were not approved of by parliament, and Henry was not in a solid position with parliament. There were still Yorkists who wanted him gone and dead, and other nobles who wanted to take the throne. Without parliament’s approval a king could not collect taxes, and the taxes that they approved had to fulfill very strict criteria. Unlike our modern system of taxes, taxation under the Magna Carta had to be for a specific purpose- a war or building project for example- and had to have a specific start and stop date. Taxes could not just give the monarch more money to spend however he wished, and could not be open-ended. Henry VII could not get around those rules, not even to attack France, the normal enemy of the English. When he asked for the taxes to do so parliament refused. And he had no choice but to work with them or give up. He couldn’t just say that all Englishmen must give him this much money every year indefinitely.

So how did Henry get such a full treasury, if he couldn’t tax the people in such a way? He was a shrewd businessman who invested his private money to support trade, which increased the amount of tariffs the crown received from such trade. He also managed the royal lands better than his predecessors, taking a personal interest in the management and cutting out waste. At the end of his reign the royal lands had produced 10,000-pounds under Edward IV, compared with 42,000-pounds per annum.

There was an increase in business due to the increase in security Henry VII fostered. He reigned in relative peace, while Richard III, Edward IV and Henry VI all reigned under violent civil war. This peace created a safer situation on the roads and on trade routes. As well, Henry VII extended the crown’s justice in the realm, so that disputes could be resolved quickly and fairly in his name. Security for the people breeds more income for the government.

“But wait!” I can hear you say. “He made lots of money by creating laws which forced noblemen to pay fines for keeping standing armies and made them bond each other, so he could get rich!” It may be a surprise to hear, but Henry VII did not create those laws, nor did he enact them often. The laws against Retaining and for supplying “Recognizances” were on the books prior to Henry’s reign and were used by both Edward IV and Henry VI. The laws against retaining had to do with noblemen paying for and keeping standing armies in times of peace. In war time every noblemen must bring an army to the field or else pay for it later, but in peace time they could not keep that army to fight among themselves with other nobles or be threatening the king. Under Henry VI and Edward IV it was illegal to do so, but with the constant warfare it wasn’t as enforced as it should have been.

“Recognizances” were a different system. One nobleman was found to be a “risk” to the crown and country, so one of his noble friends would promise to pay a sum of money to the crown if the first nobleman was found to be guilty of treason. If his friend turned on the king in rebellion the nobleman would have to pay the crown for the offense. In a time of warfare this system could have provided a nice income for the crown while giving the nobles a reason not to commit treason. But just as the laws against retaining were rarely enforced, prior to 1485 “recognizances” were rarely used as well.

It is true that Henry used them more, but he did not fill his coffers with these fines, taking an income from them that was only slightly higher than Edward IV’s. Because he was still very precarious on the throne, Henry preferred to have the noblemen feel indebted to him. When a nobleman was found guilty of breaking these laws the penalty would be levied by the courts and was expected to be handed over to the crown. But Henry forgave more of these offenses than he collected on, preferring to seem generous and forgiving and to give the noblemen an example of fair treatment. By forgiving the debts Henry made the noblemen thankful to him for their continued prosperity, and more likely to defend him if rebellion did stir up. He appeared to be merciful and gracious in his actions, and gained more support for his seat on the throne.

Henry VII knew that you catch more flies with honey. By taking actions to keep money in circulation and increasing trade with investment and peace in his realm, Henry gained more revenue than he could have if he had been allowed to increase taxation with a heavy fist. His time as a “beggar earl” in exile made him thrifty and never wanted to be at the mercy of others’ monetary support again. He made the mechanics of government more efficient and cut waste, and knew how to encourage the country to make money for themselves, which in turn made money for him in legal and fair ways.

This is something that is lost on our modern government, who believe that increasing fines and taxes will increase their own funds. It won’t. Instead of cutting waste and operating at a minimum expense they continue to pay for and encourage waste. We focus on things like the fact that some people make very large sums of money while others do not, instead of focusing on how high the standard of living is for even the very poor. The politicians promise to make income equal, instead of focusing on what we already have and how blessed we are. Our lives today are better than Henry VII’s- heat, AC, plumbing, TV.

Judge John Fortescue knew that a limited government made the people wealthy and happy, and that absolute government strangled the people, keeping them poor and miserable. Somehow this message has been ignored. And only by returning to it can we continue to have the freedom and standard of living that made this country a destination for the “troubled masses yearning to breathe free.”

Resource:

Grant, Alexander. “Henry VII.” Lancaster Pamphlet. 1985. Routledge: London & New York.

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The Tudors: Season One, Episode One

WARNING- Contains spoilers

Any work of fiction, either on film or in a book, has to show you what normal is before the real plot can begin. Plot arcs must start low before rising in exposition. If the audience doesn’t understand how the characters normally act and what their lives have been like there is no way to understand how much change happens once the plot begins to move.

This episode does a very good job of showing us what “normal” was for the character “Henry VIII” and his court. We see a young king who spends his days working on the problems of the realm and international politics, while playing games with his friends, interacting with courtiers and spending time with his wife and mistress. At the end of the episode we get the first look at Anne Boleyn, but Henry has not seen her or her sister Mary yet.

The very beginning of this episode shows an English ambassador being murdered by French soldiers while at the court of the Duke of Urbino. This man is later referred to as Henry’s “uncle,” which immediately causes confusion. Henry had no blood uncles. His father, Henry VII, was an only child, and his mother’s two brothers went missing in the Tower in 1483 and were believed to be dead. The only uncles Henry had were from the marriages of his mother’s sisters, or his half-great-uncles from Margaret Beaufort. After looking at the husbands of the sisters of Elizabeth of York the only one that could be a candidate for this position was William Courtenay, the Earl of Devon, but he was not stabbed to death in Urbino and this show is too late to show a reaction to his death. He died in 1511 of “pleurisy” and was buried at Blackfriars. I believe this was invented to give the show more drama to the show, to give Henry more of a reason to hate the French and seek war against them as revenge.

Many other writers have already pointed out many things from this episode that are inaccurate, such as the lack of a historical Anthony Nivert or how Katherine of Aragon was actually a redhead or that Thomas Tallis was not at court as a young man. I am going to try to give those issues limited space.

My best guess as to the date of this episode comes from Bessie Blount’s pregnancy. Her child was born in 1519, and after she was married to Gilbert Tailboys. This means that the episode takes place in 1518 to early 1519. This will create many problems in future episodes, because Henry’s sister Mary was widowed by Louis XI of France in 1515, and married Charles Brandon in the same year. This means that the entire setup for Bradon’s character (played by Henry Cavill) is inaccurate, even before his marriage to “Margaret Tudor” is shown in upcoming episodes.

Henry had always had mistresses, and according to The Other Tudors by Philippa Jones (2009, Metro Books), Henry was a man fueled by romance and was a serial monogamist. He had regular and long-term mistresses, often staying with one mistress for years. This is not the Henry we are given in The Tudors. We are given a lusty and whoring king, more along with the reports of the sexual appetites of Henry’s grandfather, Edward IV. I have read several authors who believe that Henry’s later appetites for food and women were an attempt to emulate his grandfather. Did Henry have meaningless one-night-stands with random women at court? Perhaps. But in his account ledgers he is shown as giving gifts to one specific mistress at a time who was well-known at court and in rumor.

Jones also points out in her book that Henry seemed to sour on his mistress when she would become pregnant, quickly finding her a husband and having nothing to do with her again. Her argument is that he may have found the production of a child as a betrayal since he had spent years of bed sport with these women without ever making a child, showing that they were using some form of birth control. He may have seen these pregnancies as a deliberate way to try to force his hand in their relationship, and he may have resented it. Of course this is speculation, but we do know that the pregnancies of his mistresses appeared close to the end of their relationships. The show does display this well, and when we learn that Henry’s paramour Bessie Blount is pregnant, Henry pretends he is learning who she is for the first time. In the history we know that married Sir Gilbert Tailboys and had three children with him. The marriage seems to have been a happy one that was entered into after the birth of her child, so the character’s statement that her husband was threatening her with scandal and the convent is a fabrication.

I have to admit that there is a point of confusion for me when the Duke of Buckingham makes a comment that Henry’s only claim to the throne was a “bastard’s on his mother’s side.” I am not sure if he is referring to Richard III’s claim that Elizabeth of York and her siblings were bastards, or if he is referring to Henry VII’s mother, Margaret Beaufort, since she was the only blood claim to the English throne that he had. The Beauforts started out as bastards and had been barred form the throne by Henry IV after they had been legitimated by Richard II and the pope. Buckingham’s comment works in both ways, even though his father had rejected Richard’s claim of bastardy of Elizabeth of York when he helped to plan the rebellion against Richard that we associate with his title, the Rebellion of 1483. In the same way he showed that he did not care about Henry VII’s Beaufort blood being a bastard line, because he agreed that if his rebellion had been successful he would have welcomed Henry of Richmond to the throne. We have no way of knowing if he was serious or if he planned to take the throne for himself, as he was executed for his efforts in the rebellion.

The girl who plays the child Princess Mary is just too darn cute! I adore the actress Sarah Bolger, who later plays an older Mary, and I became very excited when I heard her work on the video game “Bioshock.” But little girl Mary is adorable, and a wonderful casting. Wrong hair color, but I don’t think they could ask a child to dye her hair.

One of the biggest plot points of this episode is the setup for the Field of Cloth of Gold. This expedition to France happened in 1520. The other was the introduction of the lovely Natalie Dormer as Anne Boleyn. I will be discussing these topics more in future episodes.

Additional Reading:

The Creation of Anne Boleyn

The Tudors Wiki

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Henry Tudor, a Proud Welshman

I gotta say, I like the way Nathen thinks!

Nathen Amin

To the average member of the public, no Royal Dynasty has come to represent England and Englishness as the Tudors, a multi-generational 16th Century force that dragged England out of the bleak and dreary middle ages and into the renaissance period that enabled the Kingdom to become a superpower on the global scene. England became a mighty nation during the reign of sequential Tudors, rapidly growing in a self-assurance and assertiveness that would later blossom into the dominant British Empire under their successors. It was under this Dynasty that England broke with Rome, that the English vanquished their aggressive Spanish foe through the defeat of the infamous Armada and that the world was given the immortal playwright William Shakespeare. Arguably the most overlooked Tudor monarch is the very man who began the dynasty, Henry Tudor, that great opportunist who is arguably one of the country’s greatest overachievers. Born fatherless and…

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Roland de Veleville’s Marriage

Someone asked me about Roland de Veleville’s marriage, because as far as we know he did not receive a papal dispensation to marry his wife, Agnes Griffith. They pointed to her Stanley ancestor as a blood link to the English throne, saying that the failure to receive a dispensation means that de Veleville could not have been the son of Henry VII. There are several problems with this argument.

I am unsure of who Janet de Stanley, Griffith’s grandmother, was. My documents have Janet de Stanley being born in Cheshire, England in about 1400. Alternately I have the Stanley’s going back until 1405, at which point my records diverge to the family of Joan Goushill, the wife of Thomas Stanley, the 1st Baron Stanley. Her family was the FitzAlans, who were descended from Henry III giving a blood-link to the throne. However, these dates do not add up to Janet being part of that line, as she and Thomas are about the same age. The Stanleys were the kings of the Isle of Mann, a title which was downgraded to “Lord of the Isle of Mann” when the 1st Earl of Derby’s stepson became Henry VII.  Going back further into the Stanley family there is no blood connection to the English throne in the generations I was able to research.

One clue as to why this blood link is questionable comes from the marriage of Thomas Stanley, the 1st Earl of Derby, and Margaret Beaufort, “Our Lady, the King’s Mother.” As far as my research shows there was no dispensation for this marriage. If the grandmother could marry a Stanley without dispensation, why would the grandson need one to marry the granddaughter of a Stanley?

This theory is also based on de Veleville thinking of himself as a prince, which it does not appear he ever did. De Veleville never rose above the rank of knight, and even though he earned the second-highest income in North Wales he was still never of the nobility. Papal dispensations were very. They were given to princes, and only very, very rarely given to knights. I don’t doubt that he could have obtained one, since he was so close with Henry VIII, but he may not have felt he needed one.

There is also the question of the date of their wedding. We know that Agnes Griffith was living at Beaumaris Castle before they were married, because she is referred to as de Veleville’s “concubine” in documents. Their marriage may not have taken place until after she had become pregnant, and as such they may not have cared about a dispensation, if one had been needed. She was a widow, but did not have any children from her first marriage. The date of birth given for their daughter, Jane de Veleville, is between 1510 and 1514. Their wedding may not have taken place until after Jane’s birth, or very close to it.

The first marriage of Katherine Tudor of Berain is more questionable than that of her grandparents. Her first husband, John Salisbury, was a closer cousin to her, as his great-grandmother was Janet Griffith, the sister of Agnes. This marriage took place in 1556, after the Reformation, and because of the break with Rome there was no need for a dispensation.

There may have been a dispensation for Roland de Veleville and Agnes Griffith that was lost to time, but I doubt it. I also doubt that they would have needed one. Yes there was a Stanley ancestor, but it was so far removed that it may have been deemed unnecessary. Likewise, the Griffiths being an old branch of the “Tudors” was so far removed by that point that it may have been not regarded as damaging. De Veleville may have not considered himself high enough in rank to need a dispensation, and as Agnes was already pregnant, he may have not thought it mattered.

The life of their daughter Grace is unknown, and she may have died in childhood, but their daughter Jane did very well for herself, marrying Tudor ap Robert ap Vychan, a man of great wealth and standing. Their only surviving child, Katherine, went on to four marriages, scores of children and grandchildren, and the nickname “Mam Cymru”- “Mother of Wales.” Her sons from her first marriage earned two very different places in history. The oldest, Thomas, was involved in the Babington Plot and was executed. The younger, John, married Ursula Stanley, and was a body servant to Queen Elizabeth I. He was a poet, and a friend/patron to William Shakespeare.

If you have any other information about Margaret Beaufort’s marriage to Thomas Stanley, the Stanley family, or papal dispensations in general, please leave it in the comment section.

Image

A close-up of a portrait of Katherine Tudor of Berain. I wonder if she looked like her grandparents or mother?

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The Tudors- Background

In 2007 Showtime began the produce and air the historical drama The Tudors. The show takes place over 4 seasons, between the 1520s and the 1540s and focuses on the life of King Henry VIII. It begins with Henry’s youth and intrigue with Anne Boleyn and ends with the production of the famous Holbein painting just prior to Henry’s death in 1547. With the title saying “Tudors” plural, I half-expected the show to continue in future seasons with the lives of Henry’s children, Edward VI, Mary I and Elizabeth I, but it did not.

This drama comes from Michael Hirst, who cut his teeth in historical costumed dramas with the feature film Elizabeth I in 1998. I remember going to that film in high school (receiving extra credit in my English class for seeing it), and and I loved it. Michael Hirst guarantees a visually-stimulating show, with unbelievably beautiful costumes, sets and props. His productions often blend the line of fact in fiction because while he attempts to keep to the history he deliberately breaks from it for story or to make production easier. Hirst got rid of Henry’s sister Mary, blending a general idea of her person into Henry’s sister Margaret (this causes several problems later in the series), because he didn’t want two “Princess Mary Tudor”s on the call sheet- the king’s sister and daughter shared the same rank and title at one point in their lives. After the cancellation of The Tudors, Hirst went on to create Camelot, The Borgias, and Vikings.

The show cast Irish star Jonathan Rhys Meyers as Henry, Maria Doyle Kennedy as Katherine of Aragon, Natalie Dormer as Anne Boleyn, and Henry Cavill of Superman fame as Charles Brandon. Cavill apparently auditioned for Henry but in the end was cast as the rakish Brandon, as whom he gives an a commanding performance. Especially towards the end of the show, as Brandon ages Cavill becomes the sexiest men on the show, at least in my opinion.

Casting Meyers as Henry caused several problems in the show. Firstly, he doesn’t have the full presence of the actual king. Henry VIII was more of his grandfather, Edward IV, than his father, Henry VII, but Meyers looks more like VII than VIII. Meyers just isn’t a large enough man. His physical appearance became more of a problem as the show went on because Meyers would not gain weight and refused to wear a fat suit. I can’t imagine that he took the roll without thinking that one day the character was going to have to be fat. It is not as if he could claim that he had no idea that Henry VIII was fat towards the end of his life, when he couldn’t ride and play sports anymore. I’ve always wondered if Cavill would have put the suit on?

Natalie Dormer was one of the break-away stars of this show. She went on to feature films and Game of Thrones, but continues to be the mental image for many when they think of Anne Boleyn. A stunningly beautiful woman, Dormer dyed her hair a dark brown to play Anne. According to Susan Bordo’s The Creation of Anne Boleyn, Anne’s “dark features” did not mean that her hair was almost black in color. On the contrary, her hair being called dark just means that she was not a blonde, which was the popular “romantic” hair color. Bordo believes that Anne’s hair was in fact light brown, as it is shown in the National Portrait Gallery portrait.

Some of the worst deviations from the history happen due to what I call a “Hirst wink-wink.” This happens in all of his productions. The show will diverge and a character will make an announcement that “nobody must know of this having happened,” as though the history is wrong and Hirst alone stumbled into the truth. “This is what really happened, wink-wink, but the history was deliberately changed, wink-wink, which is why you’ve never heard of it before, wink-wink!” Whenever you hear a character comment that nobody must ever know that this happened you are viewing an alteration to the know history.

But what is it that can make a viewer, even one like me who knows better, watch this show again and again? Because we want to think that we are flies on the wall to what happened. It may be flawed, but it is the best chance we have of watching Henry VIII live and love, at least until a time machine is invented. The story, the train-wreck knowledge that the wives of this man are going to end badly, that he will get fat and sick and mean, keeps us watching.

The show is available on Netflix Streaming, and the DVDs are available for purchase. At times Showtime will include it in their On Demand offerings for subscribers.

One note about watching- this show is one that you want to watch in HD. The costumes are amazing pieces of work, and in HD you can see every little thread and texture. The jewels and sets have amazing details, as do the hairpieces, and if you can you’ll want to be able to see every one of them.

Another note is that every time I watch it, our puppy Henry Rex goes nuts when he hears his name coming from our speakers! It’s very, very cute!

EDIT: Susan Bordo has pointed out to me that she believes Anne Boleyn had dark auburn hair. I apologize for the error.

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